Saturday, December 4, 2010

Creative Door Chain That Is Really Safe

Creative Door Chain That Is Really Safe: "

In many humorous cartoons we have saw paranoid people who lock their doors to a dozen locks but it usually doesn’t stop their pursuers. The door chain which theoretically doesn’t allow opening the door to a stranger. Although this stranger could stick his hand into the hole and unfasten the chain. Defendius is a system that can protect the stranger or you from opening the door fast. To open it a person need to carry the chain though a maze. It’s quite boring to do each time but what won’t you do for your own safety, right? Besides you’ll learn how to go through the maze very fast.





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White, male startup companies get funding for being white and male.

White, male startup companies get funding for being white and male.: "

This post was originally published at Restructure!


When top technology venture capitalist John Doerr decides which startup company to invest in, he consciously and deliberately chooses white males over women and racial minorities:


“That correlates more with any other success factor that I’ve seen in the world’s greatest entrepreneurs. If you look at Bezos, or [Netscape Communications Corp. founder Marc] Andreessen, [Yahoo Inc. co-founder] David Filo, the founders of Google, they all seem to be white, male, nerds who’ve dropped out of Harvard or Stanford and they absolutely have no social life. So when I see that pattern coming in — which was true of Google — it was very easy to decide to invest.”


However, Sharon Vosmek believes that this is not an “overt” bias, but rather a “hidden” one. It is just how venture capitals work:


Sharon Vosmek, CEO of venture accelerator Astia doesn’t think that VCs have an overt bias against women. Instead, it’s the way the venture-capital industry operates. Vosmek says that these “systematic or hidden biases” include:



  1. that VCs hold clear stereotypes of successful CEOs (they call it pattern recognition, but in other industries they call it profiling or stereotyping.) John Doerr publicly stated that his most successful investments – and the no-brainer pattern for future investments – were in founders who were white, male, under 30, nerds, with no social life who dropped out of Harvard or Stanford (2009 NVCA conference).



In other industries—and if uttered by someone without a university education—people would call it “sexism”, “racism”, and “ageism”, but not in the technology venture-capital industry. Doerr sees a racial, gender, age “pattern” in which startups are successful, but such “pattern recognition” is misleading when startups led by women, racial minorities, and people over thirty may be unsuccessful because they are discriminated against and denied funding. The pattern may be systemic bias, instead of the inherent superiority of white men (under thirty).


Statistics show that women-led high-tech startups have lower failure rates than those led by men, and that venture-backed companies run by a woman had higher annual revenues than the norm but used less committed capital. However, counterintuitive, abstract statistics are less convincing than intuitive, concrete anecdotes for white men who believe in the unique cleverness and hard-working character of white men.

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Carnovsky's RGB wallpaper: new work

Carnovsky's RGB wallpaper: new work: "


Our post on Italian studio Carnovsky's wallpapers that react to different coloured lights has been our most-read story all year. Now, new versions of the wallpapers feature in an exhibition in Berlin, alongside more work exploring the same theme



As we explained in our original post, the designs were created for the Milan shop of Janelli & Volpi, a noted Italian wallpaper brand. Each features overlapping illustrations, different elements of which are revealed depending on whether a blue, green or red light is shone upon them.





The designs are now on show in an exhibition at the Johanssen Gallery in Berlin. There are three overlapping patterns, different elements of which are revealed according to the colour of the light shone upon them.









The show also features a series of prints based on playing cards. 'In
each there are printed three different playing cards: The overlapping
of colours mixes up the forms so that it is difficult to recognize
which figure is represented, an enigma that can be solved just through the
use of one of the coloured filters,' explains Carnovsky's Francesco Rugi.







The show is on until February 10. Details here


All photographs: Alvise Vivenza

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